Sisters Jane and Anna Maria Porter were wildly popular writers–among the most widely-read writers in Regency England. (Yes, more popular than Jane Austen!) Their novels were on every British bookshelf, their poetry was popular and acclaimed, and Jane Porter’s historical novel The Scottish Chiefs would retain its popularity for nearly 150 years.
So how did these bestselling icons of British literature end up nearly penniless and living as “professional houseguests” without a home to call their own? And why did the eternal fame they expected elude them in the end? In today’s episode, meet the sister novelists whose lives were every bit as dramatic as the historical novels they wrote.
Olivia interviews 2018 Guggenheim Fellow Devoney Looser, author of the award-winning book The Making of Jane Austen and prominent Jane Austen scholar.
All photos courtesy of the Miriam and Ira D. Wallach Collection at The New York Public Library Archives unless otherwise attributed.
from the Ladies’ Monthly
from The Ladies’ Pocket
from her novel “The Pastor’s Fireside”
‘Memories of Miss Jane Porter’
Art Journal 7 (1850): 221.
by permission of Devoney Looser
Fraser’s Magazine 11 (1835): 404.
by permission of Devoney Looser
public domain
by permission of the Kenneth Spencer Research Library at the University of Kansas
brother of the Misses Porter and court painter to Tsar Alexander I of Russia
Creative Commons license
photo in public domain
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Music featured in this episode included
Beethoven’s Sonata for Violin and Piano in D Major, Op. 12: Andante and Allegro performed by Amanda Setlik Wilson and Allison Kim
Mozart’s Sonata for Two Pianos in D Major: Andante performed by Amanda Setlik Wilson and Peter Ryan
Mozart’s Sonata in C minor, K. 457 performed by Amanda Setlik Wilson
Haydn’s Sonata in B Minor, Hoboken XV: 32 performed by Amanda Setlik Wilson
“Tullochgorum” by Niel Gow, performed by Half Pelican