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Royal Collection Trust UK
Artemisia Gentileschi was one of the most famed and respected painters in 17th century Europe. But after she died, her story (and many of her works) were lost – and over the years, Artemisia has become better known for what was done to her than for what she did. Award-winning artist Lindsay Huss helps us try to change that.
(Content warning: discussions of physical and sexual violence)
All paintings by Artemisia Gentileschi unless otherwise indicated
completed when Artemesia was only 17 years old
Schönborn Collection
Museo di Capodimonte
Palazzo Pitti, Florence
National Gallery, London
Uffizi Gallery, Florence
Galleria Nazionale d’Arte Antica
Budapest Museum of Fine Arts
Palazzo Cattaneo-Adorno
Athaneum
in a private collection
Palazzo d’Accursio, Bologna
in a private collection
Detroit Institute of Arts
Palazzo Zevallos Stigliano
Metropolitan Museum of Art
in a private collection
in a private collection
Royal Collection Trust
Royal Collection Trust
Museo di Capodimonte, Naples
in a private collection
Gentileschi’s last known work
Pinacoteca Nazionale
in a private collection
by Lucas Emil Vorsterman
National Gallery, USA
Lindsay Huss has been creating for as long as she can remember. She is a visual storyteller and loves for her work to contain a narrative. Creating public art has presented a unique opportunity to tell the stories of many peoples and places. As a student, she took as many art classes as her schedule would allow. She graduated from Weber State University and went on to teach art at a public high school for ten years. She left teaching to pursue her longest and most passionate love of creating. After leaving teaching in 2019, Lindsay hit the ground running as a full time artist and was honored the Indie Ogden award for Best Ogden Artist, Nurture the Creative Mind award for Artist of the Year, and most proudly the Ogden Mayor’s award for Visual Arts. She continues to create from her home base in Ogden, Utah. Follow her on Instagram and Facebook.
Music featured in this episode by:
Bach’s Brandenburg Concerto No 3: Allegro by the Advent Chamber Orchestra
Bach’s “Andante” from the Italian Concerto, BWV 971 by Catrin Finch
Selections from Vivaldi’s The Four Seasons by the Wichita State University Chamber Players
“Canarios” performed by Marc Nelson